TREE OF KNOWLEDGE
- 5.2.1History of Painting
- 5.2.1.1The Origins of Painting: From Cave Images to Early Symbols
- 5.2.1.2Ancient Painting: Lost Masterpieces and Their Legacy
- 5.2.1.3Medieval Painting: The Art of Faith and Symbols
- 5.2.1.4The Renaissance: Returning Humanity to the Center of Art
- 5.2.1.5Baroque: The Drama of Light, Movement, and Emotion
- 5.2.1.6The Enlightenment and Classicism: Reason, Order, and Ideals
- 5.2.1.7Romanticism: Emotion, Nature, and the Inner World
- 5.2.1.8Realism: The Art of Everyday Life
- 5.2.1.9Impressionism: Capturing Moments of Light and Color
- 5.2.1.10Post-Impressionism: The Search for Form, Color, and Personal Expression
- 5.2.1.11Modernism and the Avant-Garde: Breaking with Tradition
- 5.2.1.12Contemporary Painting: Diversity of Forms and Meanings
- 5.2.2Art Styles and Movements
- 5.2.2.1Realism and Naturalism: Art Without Embellishment
- 5.2.2.2Impressionism and Post-Impressionism: The Birth of a Modern Vision
- 5.2.2.3Abstraction and Expressionism: The Art of Inner States
- 5.2.2.4Cubism and Futurism: Deconstructing Form and the Dynamics of Time
- 5.2.2.5Surrealism and Dadaism: The Art of the Subconscious and Absurd
- 5.2.2.6Minimalism and Conceptual Art: The Idea Over the Form
- 5.2.2.7Postmodernism: Playing with Meanings and Rejecting a Single Truth
- 5.2.2.8Neo-Expressionism: A Return to Painting and Gesture
- 5.2.2.9Digital Art and New Forms of Painting
- 5.2.2.10Street Art and Graffiti: Art of the Urban Environment
- 5.2.2.11NFT and Crypto Art: A New Economy of the Art World
- 5.2.2.12The Art of the Future: Hybrid Forms and New Media
- 5.2.3Artists and Their Approaches
- 5.2.3.1Leonardo da Vinci: Artist, Scientist, and Universal Genius
- 5.2.3.2Vincent van Gogh: Painting as a Reflection of the Inner World
- 5.2.3.3Pablo Picasso: The Artist Who Transformed the Language of Painting
- 5.2.3.4Michelangelo Buonarroti: Sculptor, Painter, and Architect of the Renaissance
- 5.2.3.5Rembrandt van Rijn: Light, Shadow, and the Depth of the Human Soul
- 5.2.3.6Claude Monet: The Painter of Light and Nature’s Transience
- 5.2.3.7Salvador Dalí: A World of Dreams and Paradoxes
- 5.2.3.8Frida Kahlo: Art of Personal Pain and Identity
- 5.2.3.9Jackson Pollock: Gesture and Energy in Abstract Expressionism
- 5.2.3.10Edvard Munch: Painting Anxiety and Existential Experience
- 5.2.3.11Gustav Klimt: Symbolism, Gold, and a Decorative Language
- 5.2.3.12Andy Warhol: Art of Mass Culture and Media
- 5.2.4Techniques and Materials
- 5.2.4.1Portrait Painting: Depicting Personality and the Inner World
- 5.2.4.2Landscape Painting: A Dialogue Between Humanity and Nature
- 5.2.4.3Still Life: The Art of Everyday Objects
- 5.2.4.4History Painting: The Art of Great Events
- 5.2.4.5Battle Painting: Depicting War and Heroism
- 5.2.4.6Genre Painting: Scenes of Everyday Life
- 5.2.4.7Mythological Painting: Images of Gods, Heroes, and Legends
- 5.2.4.8Religious Painting: The Visual Language of Faith
- 5.2.4.9Allegorical Painting: The Language of Symbols and Ideas
- 5.2.4.10Marine Painting: Seascapes and the Power of Water
- 5.2.4.11Animal Painting: Depicting the World of Animals
- 5.2.4.12Abstract Painting: The Rejection of Representational Form
- 5.2.5Composition and Visual Thinking
- 5.2.5.1Oil Painting: Depth of Color and Plasticity of Form
- 5.2.5.2Watercolor: Transparency and Spontaneity
- 5.2.5.3Tempera and Fresco: Classical Techniques of Monumental Painting
- 5.2.5.4Mixed Media and Experimental Materials
- 5.2.5.5Pastel: Soft Color and Tactile Expression
- 5.2.5.6Gouache: Dense Color and Decorative Expressiveness
- 5.2.5.7Encaustic Painting: Art with Hot Wax
- 5.2.5.8Digital Painting: Art in the Age of Technology
- 5.2.5.9Airbrush Painting: Precision, Gradients, and the Illusion of Reality
- 5.2.5.10Textural Painting: Working with Surface and Relief
- 5.2.5.11Sgraffito and Scratch Techniques
- 5.2.5.12Collage and Assemblage in Painting
- 5.2.5.13Hybrid Techniques of the 21st Century
- 5.2.6Color Theory and Color Use
- 5.2.6.1The World’s Great Painting Museums
- 5.2.6.2Art Galleries as Living Art Spaces
- 5.2.6.3Regional Museums and Local Artistic Identity
- 5.2.6.4National Art Museums and Cultural Policy
- 5.2.6.5Private Collections and Their Influence on the Art World
- 5.2.6.6Temporary Exhibitions and International Art Projects
- 5.2.6.7Museums of Contemporary Art and New Exhibition Formats
- 5.2.6.8Museum Architecture as Part of the Artistic Experience
- 5.2.6.9Digital Museums and Online Galleries
- 5.2.6.10Museums as Educational Centers
- 5.2.6.11Museums and the Preservation of Cultural Heritage
- 5.2.6.12Museums of the Future: Sustainability and Innovation
- 5.2.7Painting Genres
- 5.2.7.1Contemporary Art: The Language of Our Time
- 5.2.7.2Conceptual Art and the Role of the Idea
- 5.2.7.3Social and Political Expression in Art
- 5.2.7.4Abstract Art Today
- 5.2.7.5Installation Art and Painting in Space
- 5.2.7.6Digital and Media Art
- 5.2.7.7Art and Artificial Intelligence
- 5.2.7.8Performance and Painting as Action
- 5.2.7.9Globalization and Multiculturalism in Contemporary Art
- 5.2.7.10The Contemporary Art Market and the Role of Institutions
- 5.2.7.11The Viewer and Interpretation in Contemporary Art
- 5.2.7.12The Future of Contemporary Art
- 5.2.8Contemporary Art and Art Scene
- 5.2.8.1Painting Conservation: Preserving Authenticity
- 5.2.8.2Scientific Methods of Painting Examination
- 5.2.8.3Ethics of Conservation and Limits of Intervention
- 5.2.8.4Painting Materials and Their Aging
- 5.2.8.5Climate Control in Museums and Storage Facilities
- 5.2.8.6Documentation and Archiving of Conservation Work
- 5.2.8.7Modern Restoration Technologies
- 5.2.8.8Interdisciplinary Approaches in Art Research
- 5.2.8.9Restoration of Private Art Collections
- 5.2.8.10Education and Training of Art Conservators
- 5.2.8.11Legal and Ethical Aspects of Art Restoration
- 5.2.8.12The Future of Painting Conservation and Restoration
- 5.2.9Artist Practice
- 5.2.9.1Collecting Paintings: Where to Begin
- 5.2.9.2Attribution and Authenticity of Artworks
- 5.2.9.3Provenance and Ownership History of Artworks
- 5.2.9.4The Art Market and Pricing
- 5.2.9.5Auction Houses and Gallery Sales
- 5.2.9.6Storage and Insurance of Private Art Collections
- 5.2.9.7Working with Art Dealers and Consultants
- 5.2.9.8Legal Risks in Purchasing Art
- 5.2.9.9Ethics of Collecting and Responsible Ownership
- 5.2.9.10Taxes and Customs Issues in Art Collecting
- 5.2.9.11Transfer of Collections and Inheritance Planning
- 5.2.9.12The Future of Painting Collecting
- 5.2.10Art and the Human Experience
- 5.2.10.1Artificial Intelligence as a Co-Author of Art
- 5.2.10.2Digital Galleries and Virtual Museums
- 5.2.10.3Art as a Form of Social Dialogue of the Future
- 5.2.10.4NFTs and the Transformation of Artistic Value
- 5.2.10.5Environmental Art and the Responsibility of the Artist
- 5.2.10.6Globalization of Art and the Disappearance of Geographic Boundaries
- 5.2.10.7Human and Algorithm: Ethics of Creativity in the Future
- 5.2.10.8Immersive Art and the Viewer’s Experience
- 5.2.10.9Education in the Art of the Future
- 5.2.10.10Art and the Metaverse
- 5.2.10.11The Attention Economy and the Role of Art
- 5.2.10.12Art as an Archive of Human Civilization