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TREE KNOWLEDGE
- 5.3.1History of Painting
- SDIA.5.3.1.001The Origins of Painting: From Cave Images to Early Symbols
- SDIA.5.3.1.002Ancient Painting: Lost Masterpieces and Their Legacy
- SDIA.5.3.1.003Medieval Painting: The Art of Faith and Symbols
- SDIA.5.3.1.004The Renaissance: Returning Humanity to the Center of Art
- SDIA.5.3.1.005Baroque: The Drama of Light, Movement, and Emotion
- SDIA.5.3.1.006The Enlightenment and Classicism: Reason, Order, and Ideals
- SDIA.5.3.1.007Romanticism: Emotion, Nature, and the Inner World
- SDIA.5.3.1.008Realism: The Art of Everyday Life
- SDIA.5.3.1.009Impressionism: Capturing Moments of Light and Color
- SDIA.5.3.1.010Post-Impressionism: The Search for Form, Color, and Personal Expression
- SDIA.5.3.1.011Modernism and the Avant-Garde: Breaking with Tradition
- SDIA.5.3.1.012Contemporary Painting: Diversity of Forms and Meanings
- 5.3.2Art Styles and Movements
- SDIA.5.3.2.001Realism and Naturalism: Art Without Embellishment
- SDIA.5.3.2.002Impressionism and Post-Impressionism: The Birth of a Modern Vision
- SDIA.5.3.2.003Abstraction and Expressionism: The Art of Inner States
- SDIA.5.3.2.004Cubism and Futurism: Deconstructing Form and the Dynamics of Time
- SDIA.5.3.2.005Surrealism and Dadaism: The Art of the Subconscious and Absurd
- SDIA.5.3.2.006Minimalism and Conceptual Art: The Idea Over the Form
- SDIA.5.3.2.007Postmodernism: Playing with Meanings and Rejecting a Single Truth
- SDIA.5.3.2.008Neo-Expressionism: A Return to Painting and Gesture
- SDIA.5.3.2.009Digital Art and New Forms of Painting
- SDIA.5.3.2.010Street Art and Graffiti: Art of the Urban Environment
- SDIA.5.3.2.011NFT and Crypto Art: A New Economy of the Art World
- SDIA.5.3.2.012The Art of the Future: Hybrid Forms and New Media
- 5.3.3Artists and Their Approaches
- SDIA.5.3.3.001Leonardo da Vinci: Artist, Scientist, and Universal Genius
- SDIA.5.3.3.002Vincent van Gogh: Painting as a Reflection of the Inner World
- SDIA.5.3.3.003Pablo Picasso: The Artist Who Transformed the Language of Painting
- SDIA.5.3.3.004Michelangelo Buonarroti: Sculptor, Painter, and Architect of the Renaissance
- SDIA.5.3.3.005Rembrandt van Rijn: Light, Shadow, and the Depth of the Human Soul
- SDIA.5.3.3.006Claude Monet: The Painter of Light and Nature’s Transience
- SDIA.5.3.3.007Salvador Dalí: A World of Dreams and Paradoxes
- SDIA.5.3.3.008Frida Kahlo: Art of Personal Pain and Identity
- SDIA.5.3.3.009Jackson Pollock: Gesture and Energy in Abstract Expressionism
- SDIA.5.3.3.010Edvard Munch: Painting Anxiety and Existential Experience
- SDIA.5.3.3.011Gustav Klimt: Symbolism, Gold, and a Decorative Language
- SDIA.5.3.3.012Andy Warhol: Art of Mass Culture and Media
- 5.3.4Techniques and Materials
- SDIA.5.3.4.001Portrait Painting: Depicting Personality and the Inner World
- SDIA.5.3.4.002Landscape Painting: A Dialogue Between Humanity and Nature
- SDIA.5.3.4.003Still Life: The Art of Everyday Objects
- SDIA.5.3.4.004History Painting: The Art of Great Events
- SDIA.5.3.4.005Battle Painting: Depicting War and Heroism
- SDIA.5.3.4.006Genre Painting: Scenes of Everyday Life
- SDIA.5.3.4.007Mythological Painting: Images of Gods, Heroes, and Legends
- SDIA.5.3.4.008Religious Painting: The Visual Language of Faith
- SDIA.5.3.4.009Allegorical Painting: The Language of Symbols and Ideas
- SDIA.5.3.4.010Marine Painting: Seascapes and the Power of Water
- SDIA.5.3.4.011Animal Painting: Depicting the World of Animals
- SDIA.5.3.4.012Abstract Painting: The Rejection of Representational Form
- 5.3.5Composition and Visual Thinking
- SDIA.5.3.5.001Oil Painting: Depth of Color and Plasticity of Form
- SDIA.5.3.5.002Watercolor: Transparency and Spontaneity
- SDIA.5.3.5.003Tempera and Fresco: Classical Techniques of Monumental Painting
- SDIA.5.3.5.004Mixed Media and Experimental Materials
- SDIA.5.3.5.005Pastel: Soft Color and Tactile Expression
- SDIA.5.3.5.006Gouache: Dense Color and Decorative Expressiveness
- SDIA.5.3.5.007Encaustic Painting: Art with Hot Wax
- SDIA.5.3.5.008Digital Painting: Art in the Age of Technology
- SDIA.5.3.5.009Airbrush Painting: Precision, Gradients, and the Illusion of Reality
- SDIA.5.3.5.010Textural Painting: Working with Surface and Relief
- SDIA.5.3.5.011Sgraffito and Scratch Techniques
- SDIA.5.3.5.012Collage and Assemblage in Painting
- SDIA.5.3.5.013Hybrid Techniques of the 21st Century
- 5.3.6Color Theory and Color Use
- SDIA.5.3.6.001The World’s Great Painting Museums
- SDIA.5.3.6.002Art Galleries as Living Art Spaces
- SDIA.5.3.6.003Regional Museums and Local Artistic Identity
- SDIA.5.3.6.004National Art Museums and Cultural Policy
- SDIA.5.3.6.005Private Collections and Their Influence on the Art World
- SDIA.5.3.6.006Temporary Exhibitions and International Art Projects
- SDIA.5.3.6.007Museums of Contemporary Art and New Exhibition Formats
- SDIA.5.3.6.008Museum Architecture as Part of the Artistic Experience
- SDIA.5.3.6.009Digital Museums and Online Galleries
- SDIA.5.3.6.010Museums as Educational Centers
- SDIA.5.3.6.011Museums and the Preservation of Cultural Heritage
- SDIA.5.3.6.012Museums of the Future: Sustainability and Innovation
- 5.3.7Painting Genres
- SDIA.5.3.7.001Contemporary Art: The Language of Our Time
- SDIA.5.3.7.002Conceptual Art and the Role of the Idea
- SDIA.5.3.7.003Social and Political Expression in Art
- SDIA.5.3.7.004Abstract Art Today
- SDIA.5.3.7.005Installation Art and Painting in Space
- SDIA.5.3.7.006Digital and Media Art
- SDIA.5.3.7.007Art and Artificial Intelligence
- SDIA.5.3.7.008Performance and Painting as Action
- SDIA.5.3.7.009Globalization and Multiculturalism in Contemporary Art
- SDIA.5.3.7.010The Contemporary Art Market and the Role of Institutions
- SDIA.5.3.7.011The Viewer and Interpretation in Contemporary Art
- SDIA.5.3.7.012The Future of Contemporary Art
- 5.3.8Contemporary Art and Art Scene
- SDIA.5.3.8.001Painting Conservation: Preserving Authenticity
- SDIA.5.3.8.002Scientific Methods of Painting Examination
- SDIA.5.3.8.003Ethics of Conservation and Limits of Intervention
- SDIA.5.3.8.004Painting Materials and Their Aging
- SDIA.5.3.8.005Climate Control in Museums and Storage Facilities
- SDIA.5.3.8.006Documentation and Archiving of Conservation Work
- SDIA.5.3.8.007Modern Restoration Technologies
- SDIA.5.3.8.008Interdisciplinary Approaches in Art Research
- SDIA.5.3.8.009Restoration of Private Art Collections
- SDIA.5.3.8.010Education and Training of Art Conservators
- SDIA.5.3.8.011Legal and Ethical Aspects of Art Restoration
- SDIA.5.3.8.012The Future of Painting Conservation and Restoration
- 5.3.9Artist Practice
- SDIA.5.3.9.001Collecting Paintings: Where to Begin
- SDIA.5.3.9.002Attribution and Authenticity of Artworks
- SDIA.5.3.9.003Provenance and Ownership History of Artworks
- SDIA.5.3.9.004The Art Market and Pricing
- SDIA.5.3.9.005Auction Houses and Gallery Sales
- SDIA.5.3.9.006Storage and Insurance of Private Art Collections
- SDIA.5.3.9.007Working with Art Dealers and Consultants
- SDIA.5.3.9.008Legal Risks in Purchasing Art
- SDIA.5.3.9.009Ethics of Collecting and Responsible Ownership
- SDIA.5.3.9.010Taxes and Customs Issues in Art Collecting
- SDIA.5.3.9.011Transfer of Collections and Inheritance Planning
- SDIA.5.3.9.012The Future of Painting Collecting
- 5.3.10Art and the Human Experience
- SDIA.5.3.10.001Artificial Intelligence as a Co-Author of Art
- SDIA.5.3.10.002Digital Galleries and Virtual Museums
- SDIA.5.3.10.003Art as a Form of Social Dialogue of the Future
- SDIA.5.3.10.004NFTs and the Transformation of Artistic Value
- SDIA.5.3.10.005Environmental Art and the Responsibility of the Artist
- SDIA.5.3.10.006Globalization of Art and the Disappearance of Geographic Boundaries
- SDIA.5.3.10.007Human and Algorithm: Ethics of Creativity in the Future
- SDIA.5.3.10.008Immersive Art and the Viewer’s Experience
- SDIA.5.3.10.009Education in the Art of the Future
- SDIA.5.3.10.010Art and the Metaverse
- SDIA.5.3.10.011The Attention Economy and the Role of Art
- SDIA.5.3.10.012Art as an Archive of Human Civilization